Art at war: Where Are We Now?

Hailing from a creative team from São Paulo in Brazil, this editorial reflects on Cold War Berlin through the eyes of someone navigating our present reality. Set against a city once split by the Berlin Wall, which stood from 1961 to 1989, where East and West were defined by division, ideology, and constant surveillance, the story follows characters who traverse both literal and symbolic borders, carrying traces of rebellion and resilience. In a world still shaped by walls, systems, and screens that monitor and separate — art becomes an act of resistance, and simply being human emerges as the most radical act of all.
Photography Luigi Galvão
Creative & art direction Ian Sampaio at Dizzy Office
Associate art direction Guilherme Costa
Beauty Fernando Vieira
Styling Miguel Bedoia
Fashion assistance Namê Melo
Direction assistance Julia Bega
Clothing archive Acervo Púrpura by Tamara Salazar
Accessories Higher Store, Acervo Púrpura and Lucas Fontyneelli
Post-production Ian Sampaio at Dizzy Office
Executive production W.Conn
Fashion production Cauê Anjos
Booker Felipe Chaves
Agency Rock MGT
Gaffer Leftel Studio
IAN SAMPAIO, creative director
“Art At War” is the hopelessness and the lifelong search for hope. It reflects on the human tendency to cling to muddy memories of the past in order to shield ourselves from an uncertain future.
The editorial travels to the most intense war sessions of the mid-1980s in East and West Germany during the Cold War, following a spy agent and a rebel who cross the Berlin Wall, carrying a hint of David Bowie’s attitude in their pockets. We see a shaky world at war — yet the story is set in 2025.
This visual narrative presents a remastered post-punk drama, with two enemies exploring the intersections of war, fashion, and art. It grows from projected wounds to dramatic bruises of creativity.
Covering injuries caused by the violent system, art becomes a band-aid for the injuries inflicted by violent systems, attempting to heal the sadness that permeates modern life. As we write statements and point fingers at one another, we search for paths that are often blocked — like embryos tracing fragile trails through a world fractured by social, territorial, political, and artistic wars.
This is the art of being human — a reflection on creativity under constant observation, where every step, every thought, and every act of expression is watched.








Skirt and LUCAS FONTYNEELLI costume-made belt both from Acervo Púrpura Archives.
LED greatcoat from Acervo Púrpura Archives.













Heels and LUCAS FONTYNEELLI costume-made greatcoat both from Acervo Púrpura Archives.
Dress from Acervo Púrpura Archives.

FASHION REFERENCES
ACERVO PÚRPURA @acervopurpura
FELIPE FANAAIA @felipefanaia |@dashausloja
FIELD ALIENS @fieldaliens | www.fieldaliens.com
HIGHER STORE @higherstore | www.higherstore.com
JOHN JOHN @johnjohn | www.johnjohndenim.com
LUCAS FONTYNEELLI @fontyneelli
PIERRE CARDIN @pierrecardin | www.cardinworld.com
VALENTINO GARAVANI @realmrvalentino | www. fondazionevg-gg.com
VIVIENNE WESTWOOD @viviennewestwood | www.viviennewestwood.com
WALLACE BARROS @wllcbarros |www.wallacebarros.com




