Zoot Shoots

Gelatin Silver

Inspired by the timeless beauty of silver gelatin printing, Gelatin Silver reimagines darkroom chemistry through saturated colour, sculptural silhouettes and reflective surfaces. Metallic fabrics shimmer like liquid silver against electric magentas, cobalt blues and radiant golds. Conceived by photographer Nick Berardi and creative director and wardrobe stylist Lina O’Connor, the editorial merges analogue references with a bold, modern visual language.

 

 

Photographer Nick Berardi

Creative Director & Wardrobe Stylist Lina O’Connor

Hair Stylist Anthony Montoya

Makeup Artists Muyvette Beauty and  Renata Rensky

Model  Marianne Schmidt  from Storm Management Los Angeles

Studio Jude Studio

Words Priscila Vieira
Editor Andrea Probosch

 

 

 

For more than a century, silver gelatin defined the look of black-and-white photography. Gelatin Silver translates its visual language into digital photography, using light, reflection, saturated colour and tonal contrast as the foundation.

Photographed at The Reserve, Nick Berardi’s studio in Downtown Los Angeles, the editorial unfolds inside the city’s historic Federal Reserve Building, now reimagined as a creative hub for photography, film and the arts. Berardi, whose career began under the mentorship of Vidal Sassoon before moving behind the camera, collaborates with creative director and stylist Lina O’Connor, a longtime friend of ZOOT and former ZOOT cover model now building her career in Los Angeles. In front of the lens is Marianne Schmidt, a German-Eritrean model and actress based in Los Angeles and a new face at Storm Management LA, whose natural confidence and expressive presence bring the story to life.

Introduced in the 1870s, the silver gelatin process became the defining black-and-white printing method of the twentieth century, prized for its rich tonal range, luminous highlights and exceptional detail. Gelatin Silver borrows the essence of the process to create a contemporary fashion story using the language of silver gelatin—reimagined through colour, reflection and movement.

THE REFERENCE IS ANALOGUE.
THE RESULT ISN’T.

 

JULIE COLQUITT Red/Purple fluffy open back mini dress; GHOSTLINE DESIGNS Armor silver ring.

Before digital photography transformed the way images were made and shared, silver gelatin printing shaped the visual language of photography for more than a century.

Developed in the 1870s, the process uses light-sensitive silver salts suspended in gelatin to create the deep blacks, subtle greys and luminous highlights that defined generations of black-and-white photography.

KAFTAN STUDIO Fuchsia coloured silk dress; ASTRID & AGNES Ruby & Silver medium circular chain necklace; Vintage pearl flower ring from ULUWATU LACE Store in Bali;  FREELANCE White maroon pink striped leather ankle booties.

From fashion editorials and portraiture to documentary photography, silver gelatin became the medium through which photographers explored texture and atmosphere.

Its beauty lies in its physicality: the grain, the depth of the blacks, the feeling of holding an image rather than simply viewing one.

⁠SAMUEL GARTNER Purple/Blue snake reptile print mesh denim corset dress; ASTRID & AGNES Big Silver chain necklace with big ovals.big ovals.

Nick developed a concept inspired more by the title Gelatin Silver than by the technical printing process itself.

— Lina O’Connor

The story takes the idea of the darkroom into the photo studio; translating the smooth, layered quality of gelatin into colour, surface and movement.

For the “silver” element, Nick and Lina worked with Mylar, strobe lighting and coloured gels to create reflective surfaces and unexpected bursts of colour.

The materials become a contemporary interpretation of silver, where reflections and light become part of the image-making process.

To represent the ‘gelatin’ aspect, we displayed our images on brightly coloured backgrounds and incorporated vinyl to create a contemporary interpretation of the smooth, layered quality associated with gelatin.

— Lina O’Connor & Nick Beradi

The result is not about recreating the past, but exploring texture, surface and the tactile quality of an image.

JULIE COLQUITT Yellow, white & gold halter knitwear long dress; Vintage cream knitted gloves.

For the ‘silver’ element, we used Mylar, strobe lighting, and coloured gels to create reflective surfaces and dynamic bursts of colour. Rather than recreating the traditional gelatin silver process, our project reinterprets its essence through contemporary materials, vibrant colour and experimental lighting.

— Nick Berardi

ARABESQUE BOUDOIR Yellow velvet fez hat with longe gold fringe; HANES White ribbed top; VALERIAN HUGHES PARIS Yellow and gold ribbon skirt.




Silver gelatin photography has always been about the relationship between light and matter—the moment when chemistry transforms a captured image into a physical object.

To boot…

LINA O’CONNOR, Creative Director and Wardrobe Stylist

@iamgutai

 

NICK BERARDI, Photographer

www.nickberardiphotography.com | @nickberardi

 

FASHION REFERENCES

 

MAISON PRIVÉE @maisonpriveepr_la

For

ASTRID & AGNES @astridoagnes

ARABESQUE BOUDOIR @arabesqueboudoirmaison

GHOSTLINE DESIGNS @ghostline_designs

HANES @hanes

JULIE COLQUITT  @juliecolquittart

KAFTAN STUDIO  @kaftanstudio

LINE DESIGNS

MISTER TRIPLE X

QOFFAN 

SAMUEL GARTNER  @samuelgaertner

ULUWATU LACE STORE @uluwatulace

VALERIAN HUGHES PARIS @valerianhughesparis

 

 

LOCATION

Jude Studio

409 W Olympic Blvd

Los Angeles, CA 90015 

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